bollywood Movies.
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Bhakta Surdas
Surdas, a blind poet, embarks on a spiritual journey. He transforms into a revered saint, dedicating his life to crafting devotional poetry for Lord Krishna.
Suhagan
An early social drama centered on a married woman's life and domestic struggles/triumphs.
Nai Duniya
A social drama exploring contemporary societal themes. The film features a prominent cast including Shobhana Samarth, P. Jairaj, and Mazhar Khan, alongside supporting actors like Azurie and Hari Shivdasani. It delves into a "social story" penned by Ahmed Abbas, focusing on interactions and challenges within its "New World" (Nai Duniya) setting.
Dukh Sukh
An early Indian drama, exploring themes of happiness and sorrow in everyday life, as its title ("Dukh Sukh" translates to "Pain Happiness" or "Sorrow Joy") suggests.
Chandni
Two identical women, city-bred Chandni and village teacher Devi, swap clothes on a train, leading to their husbands mistakenly taking home the wrong wife. As chaotic domestic lives unfold, their interwoven fates unravel through illness, mistaken affections, and a final public revelation of their switched identities.
Mata
A heartfelt social drama that centers on the unwavering love and immense sacrifices of a mother for her children. Faced with myriad hardships—be it poverty, societal challenges, or the ingratitude of her own offspring—the film follow her journey of enduring immense personal struggle to ensure the well-being and future of her family.
Dhiraj
Dhiraj (1942) was a Hindi social film directed by Chaturbhuj Doshi and produced by Ranjit Movietone. It featured actors like Sitara Devi and Ishwarlal. Dhiraj was banned by the British government due to alleged inclusion of "symbols like pictures of national leaders," suggesting a plot with nationalist themes.
Uljhan
A social drama starred Sardar Akhtar, Mazhar Khan, Anjali Devi and Krishnakant
Roti
Roti made in the early 1940s inspired by the German Expressionism, is a real critique of Indian society with prophetic insight. It deals with two models - one of a millionaire, possessed by money and power in an industrial civilisation, the other of a tribal couple living in a primeval state of nature. The millionaire is saved by the couple after an air crash, the tribal couple emigrate to the city, do not find happiness and return. The millionaire is ruined in the city, tries futilely to find salvation among the tribal.
Armaan
Set in 1910, its modern hero, Kanwal (Motilal), invents a ray that records pain and pleasure photographically. His experiments render him blind. Country lass Meera (Shamim) tends to him and they fall in love. Later Meera meets a sage (Shah) who has an expensive magic potion that cures blindness. Unable to afford it, Meera kills the sage, grabs the medicine and goes to Kanwal’s house while all nature protests her actions. There the evil Diwan (Bhagwandas) and his accomplices steal the medicine, cure Kanwal and take the credit. Kanwal, who can now see but does not recognise Meera, accuses her of murder but eventually realises the truth.
Basant
Impoverished singers Uma and her brother Babul are discovered by Nirmal. Uma becomes a star and marries Nirmal, but his insecurity leads him to abandon her and their daughter, Manju. When he finds Uma back on stage, he abducts Manju. After years, the family reunites, and Uma returns to a homemaker role.
Tamanna
The story of Uma and Ramesh, who share a platonic love. Ramesh, an engineer, is dedicated to his villagers' welfare. Their relationship is tested when Ramesh's social ideals conflict with the realities of capitalism. To help Ramesh, Uma sacrifices her fortune and marries another man. However, Ramesh tragically misunderstands her immense sacrifice, leading to a deep emotional crisis in their relationship.
Station Master
A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.
Jhankar
A social drama that delves into the troubles faced by a young woman named Kuki, played by Pramila. Her path crosses with Chandramohan, whose presence appears to complicate her life. The film explores themes of societal challenges and perhaps redemption, as it's described as a "social picture."
The Guest
An early Indian social drama revolving around a visitor or unexpected arrival whose presence impacts the lives of others, likely leading to drama, complications, or revelations within the household.
The Jungle Princess
A young girl named Maya is shipwrecked and raised by lions in a jungle. Years later, a search party tries to return her to civilization. Despite interference from cannibal chief Radha Rani, Maya and her loyal lions help the explorers. She also finds love with John.