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Khal Nayak
Inspector Ram succeeds in nabbing notorious criminal Ballu. When Ballu's escape taints Ram's name, his fiancee, Ganga, decides to trap Ballu. But, things get complicated however, when Ballu falls for her and she finds that she isn't entirely immune to his charms.
Phool Aur Angaar
Action-packed thriller featuring Mithun Chakrobarthy
Sahibaan
Sahibaan, a village girl, is in love with Gopi, a labourer. She rejects a marriage proposal from Vijay, who is a womaniser. Now Vijay tries to get rid of Gopi in order to marry Sahibaan.
Maya Memsaab
A frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man. Of course, there are no easy escapes from reality.
Sainik
Lieutenant Suraj Dutt has been in the Indian army for years. It is now time for him to take a leave of absence so that he can meet his father, Retired Colonel Yashpal Dutt, and sister, Minni. He travels home, and on the way rescues some school children held hostage by a group of armed men. The media portrays him as a hero, and it is here that he meets with a young woman named Alka, and both fall in love with each other. Alka and Suraj get the approval of their respective families' and get married. Minni also gets married to a young man named Vijay Ghai. Shortly after the marriage, Suraj leaves his pregnant wife and re-joins duty at the border. His father is the first one to get the news that he is missing, believed dead. He decides to keep his news from Alka and Minni. What Yashpal does not know that both Minni and Alka have already received this devastating news - and both have decided to keep a brave front and also hide it from each other...
Waqt Hamara Hai
One-time rival collegians, Vikas Sabkuchwala and Sunil, are now friends and in love with sisters Ayesha and Mamta Vidrohi, who they would like to marry. But their politician father wants a size-able dowry as well as well-placed sons-in-laws, and refuses to have to do anything with them. The foursome get together and arrange the fake kidnapping of the sisters so as to extort a large sum of money from Vidrohi. Things go completely out of control and awry, when Vikas and Sunil find out that the kidnapping has taken place - not by them - but by notorious international terrorist and seemingly invincible Colonel Chikara.
Sangram
Thakur Surajbhan Singh Kanwar forces Thakur Shamsher Singh Rana sister to commit suicide thus the two business-men became enemies. Years later Surajbhan's son, Raja and Rana's daughter, Madhu meets and gets acquainted with each other which forces Surajbhan and Rana to join hands on condition that Raja will only get marry to Madhu. But on the engagement day Raja announces that he is in love with a poor woman, Palavi which forces Madhu to attempt suicide thus throwing both the families back to square one - this time such an enmity that will lead to blood-shed.
Gardish
Naive and easily impressionable Vidya Bhalla would like her husband to be a dashing hero, one who is not afraid of anybody, one who can easily jump into a fire to rescue someone, one who is strong & romantic. She sees all of these qualities in Shiva Sathe (Jackie Shroff), the son of Havaldar Purshotam Sathe, whose only dream is to see Shiva become a Police Inspector. Vidya informs her dad, Prithviraj, that she has found her dream man, the Bhallas and the Sathes meet and get the couple formally engaged.
Damini
The theme revolves around the character Damini who represents truth and innocence. After her marriage in renowned wealthy family, Damini happens to see a cruel act done by her brother-in-law. She wants the victim to get justice, but the family including her husband oppose her, which leads her to leave the house. Soon she is helped by a drunkard, an ex-advocate, who helps her in all respect to reach to her aim and therefore justice
Roop Ki Rani Choron Ka Raja
Jagmohan Jugral kills his twin brother, Manmohan, in order to escape from Customs Officer Verma. In the chase that follows, Jagmohan also kills Verma, and a doctor, Ashok Soni. With their deaths their children, Ramesh and Seema, are orphaned and end up at an orphanage. Both get separated when Seema is adopted by a respected couple. Ramesh runs away from the orphange and is adopted by Girdharilal, a career thief. Ramesh learns all the skills of thievery from Girdharilal. Ramesh is now grown up a better career thief than Gidharilal, and Seema too has grown up. Both are on the look-out for Jugral, who is now known as a very respectable citizen.
Kshatriya
In the arid region of Rajasthan, India; there are two royal families, Mirtagarth and Surjangarh who believes in a religious ritual which states that a warrior from each of these two families will come together annually to have a fierce battle with the winner having to sacrifice a baby buffalo and it will rain in that person's territory. This tradition must be fated to carry on by the future generation as it is a rule of nature set down by their kin.
King Uncle
Ashok Bansal has a traumatic childhood which teaches him that money matters most to people, even more than their kids. Ashok starts hating poor people & starts working hard to get out of poverty, at the expense of his own family. However, Ashok’s life changes forever when Munna enters his life.
Rudaali
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
I Live in Behrampada
The communal riots that reduced Bombay into two distinct communities in December '92 and January '93 also created an underclass of citizens. During this time, Behrampada a slum colony in the city's western suburb with its predominantly (80%) Muslim population was cast as the villain by the majoritarian media and the communal forces. I Live In Behrampada traces the history of this Muslim ghetto which was first populated in 1950 and grew through the efforts of the slum dwellers who turned the slimy marsh land into solid ground. But in the face of rapid development yesterday’s pathfinders have become today’s interlopers. Is the dividing line language, culture and religion or class?