bengali Movies.
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Samraat
Samraat, an underworld mafia, is coming to Bangladesh. Bangladeshi mafia Musa has interest in this because Samraat can ruin his business. So he wants Samraat dead by any means but failed. Samraat finally lands and has bargain with one of Musa's man about the share. As Musa fails again and again, he needs a man smarter and stronger than Samraat. Kabila introduces Raja to him who becomes his first hand. But who is this Raja and what is his interest with Musa
Kelor Kirti
Kelor Kirti is a fun filled ride with a bunch of young couples. This comedy of errors involves their fun loving couples round off in a bundle of chaos and misunderstanding,when an enchanting woman enters their lives, leading them to their share of confusion they are all caught up is misunderstanding and humorous situations, which end up in chaos.
Badsha - the Don
an ambitious boy named Badshah who dreams of becoming a don. He gains access to the crime of city's don and uses his own cleverness to play of the top two - Tangrar Tony and Jyanrar Johny fierce rivals with each other . He goes to London on a project. How he becomes don.
Kalo Bhromor
Kalo Bhromor is a murder mystery in which Hari the caretaker of the guest house Kalo Bhromor and Saathi, the daughter of the owner of the Kalo Bhromor are murdered and Smriti, Saathi’s sister is raped. Smriti and Saathi’s sisters Saswati, Srija, Nilabha, Saswati’s husband, Sabuj, Nilabha’s brother are the suspects with other residents of the guest house. The story unfolds gradually to uncover the real culprit.
Shankhachil
Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.
Krishnopokkho
Muhib lost his parents at a early age and brought up by his sister. After the marriage of his sister Jeba, he comes along with his sister in his brother-in-law's house. He grows up with strict rules by his brother-in-law. But for the sake of his sister's happiness, he bears all of this. Muhib is in a deep relationship with Oru. They married each other in a court with the presence of his friends. But they cannot stay together as Muhib has to leave the town for his job. Muhib dreams for a new life with Oru but a mishap changes everything.
Angaar
In a village where love is punishable by death, two individuals dare to fall in love despite their knowledge of the outcome.
Under Construction
Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.
Katmundu
The story, penned down by Padmanava Dasgupta, is about three software engineers who undertake a journey to Nepal to escape the stress of a 9-to-5 job and how their life takes an unexpected turn after meeting three girls on their way, forms the crux of the story.