All Movies (15345 results)
Rudaali
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthanβwhere aristocratic women were long kept secluded and veiledβof hiring professional women mourners on the death of a male relative, a rudaali (pronounced βroo-dah-leeββliterally, a female βweeperβ) to publicly express the grief that family members, constrained by their high social status, were not permitted to displayβor at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Deviβwhose tales often focus on the travails of low-caste women.
Ram Rahim
Dr Ramchandra Sare has achieved everything in his life.But his family doesn't have time for him his wife Janaki is busy attending kitty parties where as is son Lakshya and daughter Kishori are only spending his hard earned money.Chandu is best friend of Ramchandra who earns his living by driving an auto rickshaw but lives a peaceful life with his wife Chandini and son Rahul.Chandu and Ramchandra once go for boating where Ramchandra drowns in the lake.
Maaheracha Aaher
A rich and greedy Swaira Deshmukhbai is law an order of her village and has control of everything she is rude towards everyone and wants things to happen according to her but the word of her daughter Jyothi makes her change her minds and decision. Her son Vilas takes care of her estate and is like a her puppet to her . Vilas gets married to Uma belonging to her middle cast family and takes a huge dowry which her family can't afford. Uma is tortured by Deshmukhbai frequently and Vilas also supports her. When Uma's brother Deepak find that his love Jyothi is her sister-in-law, he marries Jyothi in a hurry and divides Deshmukhbai's estate to teach her a lesson.
Our People
Raghunath is the only working member of his family living with his father, his wife Janaki and two children Anand and Rani, his family is more demanding towards him than his income but his wife controls everyone expenses and teaches them how to live in a small income.
I Live in Behrampada
The communal riots that reduced Bombay into two distinct communities in December '92 and January '93 also created an underclass of citizens. During this time, Behrampada a slum colony in the city's western suburb with its predominantly (80%) Muslim population was cast as the villain by the majoritarian media and the communal forces. I Live In Behrampada traces the history of this Muslim ghetto which was first populated in 1950 and grew through the efforts of the slum dwellers who turned the slimy marsh land into solid ground. But in the face of rapid development yesterdayβs pathfinders have become todayβs interlopers. Is the dividing line language, culture and religion or class?
Sopanam
This film tells the story of a singer who loves his teacher's daughter.
Suraj Ka Satvan Ghoda
A man shares some lazy memories about his friend, Manek Mulla, who had a knack for telling stories. On this particular afternoon, Manek narrates a 'unique' love affair with the help of different stories, various characters' point of views and the social relevance of these stories. As these stories proceed, reality mixes with fiction.
Apon Par
Pratap Chandra is an extremely wealthy businessman. While he is averse to poverty, he trusts his servant Gora with his life. His only daughter Buli, falls in love with Alok, a poor journalist. Unable to convince her father for the marriage, Buli leaves home. Will Gora now be able to reconcile the father-daughter?
The Bodyguard
A former Secret Service agent grudgingly takes an assignment to protect a pop idol who's threatened by a crazed fan. At first, the safety-obsessed bodyguard and the self-indulgent diva totally clash. But before long, all that tension sparks fireworks of another sort, and the love-averse tough guy is torn between duty and romance.