All Movies (15349 results)
Endrendrum Kadhal
Endrendrum Kaadhal starring by vijay and rambha. Vijay is the managing director of a large shipping corporation. He lives in a joint family with his father (Nambiar), two brothers (Radharavi and Dhamu), their wives and children and a spinster sister(Banupriya). He goes to Switzerland to stipulate a contract with 'Nizhalgal' Ravi and Raghuvaran. There he meets Rambha, Ravi's sister. The two fall in love.Ravi approves of Vijay but when he expresses the condition that Vijay should stay with them after the marriage because India is not good, he refuses his offer and returns home....
Cruel Intentions
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
Kaun?
While alone in the house, a woman hears news of serial killer on the loose. And then a stranger rings the doorbell...
Dialogue & Delirium
Residents of Calcutta find solace from their hectic daily lives in conversations at one cafe or another. Newton is a member of one such group of cafe regulars. He appears to be in a romantic relationship with Ananya. Newton wants to start a business. Ananya consults her actress friend Laboni, who asks script-writer Arup to help Newton. However, Arup is perhaps too mysterious a character.
Mahaul Theek Hai
Mahaul Theek Hai (meaning 'the situation is okay') is a comedy satire about the police force in India. The plot involves a romance between the hero (Smeep Kang) and heroine (Chandni Toor). The hero's brother (Raj Babbar) is involved with an illegal businessman. Played by director and satirist Jaspal Bhatti, the villain of the film is a corrupt SSP (police superintendent) who misuses his authority to threaten people and hide his own excesses. His love interest is played by Bhatti's real life wife (Savita Bhatti).
Daag: The Fire
Karan is a former soldier. One day when Karan finds out that his father committed suicide in prison after he is falsely charged with a crime, he suspects Ravi Verma, a city attorney who has a wife and a kid. When Karan spots Ravi on the street with his wife Kajal, he abruptly shoots Ravi and Kajal; however, Ravi survives the murder and Kajal ends up dead. After Ravi's release from the hospital, he does not realize that he has a new and different wife who looks exactly like Kajal, later on he does. While Ravi's life continues, Karan's revenge also continues against Ravi. Ravi claims that it wasn't his idea to set Karan's father up, it may be Ravi's father-in-law and his colleagues who may be responsible.
Aakasha Ganga
The Maanikesseri family burn their maid Ganga alive after she falls in love with one of the members. Later, she returns as a spirit to take revenge against the perpetrators.
Hu Tu Tu
Panna is the only daughter of politician Maltidevi. Panna is very critical of her mother, when she decides to separate from her dad, and asked Chief Minister Sawantrao Gadre to move in with them, for political reasons. Sawantrao has been using Maltidevi to win his election, which he does. Malti avenges this humiliation, wins the next election, and has Sawantrao killed. Malti then becomes the new Chief Minister. The main thorns on her side are Bhau, the leader of the downtrodden lower caste dalits, and her very daughter, who is very friendly with Bhau. One day Panna is abducted by Aditya and his group of revolutionaries, and held by them. It is there that Panna learns about the atrocities committed by her mom in the name of politics, and it is then she must decide whether to be loyal to her mom, or take the side of Aditya and the revolutionaries.
Suriya Paarvai
Vijay (Arjun) is a hitman who works for Sundaramoorthy (Radha Ravi). He kills anybody for a price, other than women and children and he lives alone in an apartment. Pooja (Pooja), a young girl, studies in a boarding school and comes to her father's house for the holiday. Between her abusive father, selfish stepmother and an arrogant step-aunt, Pooja feels rather badly but she treasures her lovely little brother Dinesh (Mahanadi Dinesh). Pooja tries to befriend with Vijay but Vijay is not interested. Her father is a drug smuggler. One day, a corrupt police officer Jayanth (Raghuvaran) kills Pooja's family including her brother. Vijay decides to accommodate Pooja and Pooja compels him to teach her his skills as a hitman. What transpires later forms the crux of the story.
Shaheed-E-Mohabbat Boota Singh
The film is set in 1947. The exodus has begun after Partition. A Sikh ex-military man in his thirties finds a 16-year-old Muslim girl alone in a nearby village and brings her home. But the villagers tell him he should either marry her or leave her in a camp where people bound for Pakistan are located. But he decides that since he is far older, he would better leave her at the camp. As he is about to send her off with a man bound for the camp and who is prepared to marry her there, she asks Buta Singh, if he is so poor that he cannot even feed her two Rotis per day to keep her alive...
Mother
Single and lusty Asha's (Rekha) affairs with three men (Randhir Kapoor, Rakesh Roshan, Jeetendra) lands her with a baby-girl, and she must relocate to distant Mauritius to start life anew. She makes up a story about her husband, Mr. Brittania, while admitting her daughter in school, heroically saving lives of numerous Indians and being unable to save himself. Now Asha has a grown up daughter, Jiya (Sanober Kabir). She finds out that Jiya wants to marry Mrs. Chaudhary's (Shashikala) grandson, Raj (Rahat Khan). Asha's three beaus also contact her one by one that they will be coming, with their respective wives and families to tow, to visit Mauritius. Asha's past is now coming back to haunt her, and Asha must use all her wits to see herself through this crisis.
Kalighat Fetish
The film attempts to negotiate with the duality that is associated with the ceremonial veneration of the Mother Goddess Kali. It ruminates on the nuanced transness that is prevalent, in the ceremonial performance of male devotees cross dressing as Kali. This is interwoven with grotesque elements of a sacrificial ceremony, which forms a vital part of the worship of the Goddess.