π Emotional Movies (1211 results)
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Raja Nanna Raja
Geetha is in quest of finding a suitor. Just when she believes that she has found her perfect match, a stalker tries to convince her that he was her lover in their previous birth.
Annakili
Thayagu is a teacher who comes to serve in a village. He struggles to attain his desires as he has an unmarried sister and mother to support.
Khaan Dost
Ramdin Pandey, a kind but naive prison guard in Nasik, struggles to support his sister and make ends meet. When a notorious inmate, Rehmat Khan, manipulates him into aiding an escape, Ramdinβs simple life spirals into chaos. Ordered to track down the fugitive in Bombay or face ruin, Ramdin is thrust into a dangerous underworld where betrayal and revenge collide. Caught between the ruthless Rehmat and a vengeful gangster seeking justice, Ramdin must fight to surviveβand to find redemption in a world far darker than he ever imagined.
Kabhi Kabhie
A story spanning two generations, where two lovers are forced to marry against their will, but hold onto memories of their romance. Years later circumstances force them to confront their spouses, their children and each other.
Chhoti Si Baat
Arun is a timid accountant in Bombay who dreams of romancing Prabha, but is too shy to share his feelings. While Arun twiddles his thumbs, the suave Nagesh steps into the picture and turns on the heat, prompting Arun to take "love coaching" from "romance specialist" Julius Nagendranath to win Prabha back.
Ghashiram Kotwal
A stylized version of Vijay Tendulkarβs radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.
Dr. Siva
Dr. Siva treats leprosy patients and gives great importance to his patients' care. When Geetha falls in love with him, he marries her expecting that she would understand the hassles of his profession.
Chandanachi Choli Anga Anga Jali
Vasudeo Deshmukh gets married on his mother's insistence without seeing the girl. Gaura, a famous dancer is on the same train as Vasudeo's. As fate has it, Gaura becomes Vasudeo's wife.
Deewaar
Haunted by the past, Vijay turns to crime, while Ravi, his brother, becomes an honest police officer. Fate pits them against each other when Ravi is sent to nab Vijay.
Daughter of the Sun
A jobless imaginative artist finds his fantasies when a sculpture he creates comes to life every night.
Maga Mommaga
Maga Mommaga is a 1974 Indian Kannada-language film, directed by Y. R. Swamy and produced by R. Panduranga Naidu and D. R. Raghavendra Naidu. The film stars Dwarakish, K. S. Ashwath, Vajramuni and Balakrishna in the lead roles. The film has musical score by M. Ranga Rao.
Vishnu Vijayam
Vishnu Vijayam is a 1974 Indian Malayalam film, directed by N. Sankaran Nair and produced by A. G. Abraham. The film stars Kamal Haasan, Sheela, Thikkurissi Sukumaran Nair and M. O. Devasya in the lead roles. The film has musical score by G. Devarajan.
Amir Garib
Manmohan alias Moni lives a dual life. One as a magician, and the other as a thief with the name of Bhagula Bhagat, whose prime agenda is to rob the rich, and spread the wealth with the poor. He meets with a young woman named Sunita alias Soni, and both fall in love with each other. Things change for the better for Soni, when she meets her wealthy long-lost father, Daulatram, and goes to live with him. She decides not to have to do anything with Moni. When Moni attempts to meet Soni to find out why she has rejected him, she refuses to meet him. Then Moni finds out that Soni is not who she claims she is, and definitely not the daughter of Daulatram, but the daughter of another wealthy man named Nandlal, who had died under mysterious and destitute circumstance.
Eradu Kanasu
Ramachandra Rao, a professor, is forced to marry Gowri at his family's behest despite being in love with Lalitha. He fails to get along with his wife and broods about his lost love. The movie is based on the novel of the same name by Vani. The film is considered as one of the greatest romantic films in Kannada noted for the strong performances of lead actors Rajkumar and Kalpana.
Paruva Kaalam
Shobana, an innocent girl, lands in trouble when she becomes pregnant. Will she be ostracized or will the society accept her?
Roti Kapada Aur Makaan
After his father's retirement, the onus is on Bharat to look after his Delhi-based family. He has two younger college-going brothers, Deepak and Vijay, and a sister of marriage age, Radha. Bharat is a graduate, but is unable to secure any employment, much to the frustration of his girlfriend, Sheetal. Vijay takes step to secure his own future, by turning to crime, which is strongly opposed by Bharat, and as a result Vijay leaves the house. Mohan is Sheetal's boss, and finds her very attractive. When he proposes marriage, she accepts, and soon both are married. This leaves Bharat devastated, unable to deal with life, and unable to afford the basic needs of Roti (food), Kapada (clothing), and Makaan (shelter), he must now decide to carry on honestly, or otherwise
Upasane
Shraddha is a music enthusiast. She is determined to pursue a career in classical music but faces several obstacles.
Ujala Hi Ujala
Story of Anuradha who is an alcoholic
Namak Haraam
Somu and Vicky decide to exact revenge on the union leader, Bipinlal Pandey. However, when Somu understands the plight of the workers, it creates a rift between the two friends.
Doorada Betta
The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.
Duvidha
A newly-married merchantβs son is sent away for business. A ghost, who laid eyes on the bride, falls madly in love with her and takes the form of the husband and begins living with her.
Swayamvara
Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.
Maya Darpan
Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.