🌟 Award-Worthy Movies (294 results)
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Putrabadhu
The Mukherjee family's daughter, Maya, is engaged to Nanda but notices his growing attraction to Shukla. Maya convinces Shukla to help, and Shukla successfully reunites Maya and Nanda. However, Maya's mother dislikes Shukla. Shukla then falls in love with Maya's brother, Dilip, but faces opposition from Dilip's mother. Despite challenges, Shukla's love and sacrifice ultimately win over the family, uniting them.
Chhoo Mantar
Baijnath alias Baiju is a slacker, trouble-maker, unemployed, and a flirt. The villagers rally together and force his father to ask him to leave the village, which Baiju does. Baiju's travels take him to the castle of a king, who has a beautiful daughter named Ratnavali. When he sees Ratnavali, he is smitten by her beauty and falls head over heels in love with her.
Newspaper Boy
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Golden Baby
Kotayya (Ranga Rao) is a kind man. He marries Rami. She succumbs to pressure from Gopala Swamy and elopes with him, leaving her husband. Rami and Gopala successfully plan and send Kotayya to jail. After returning from jail, Kotayya becomes a rowdy drunkard. He plans to take revenge and kill Gopala Swamy.
Ardhangi
Zamindar Bhujangarao (Gummadi) has two sons. The elder son Raghunath Rao (Akkineni Nageswara Rao) born to his first wife is a retard. After her death, he married Rajeswari (Santha Kumari) and the couple has a son Nagendra Rao / Naagu (Jaggaiah) a man of vices. Impressed by the way Padma (Savitri) a village girl faced Naagu when he threatened to take their farm lands, the Zamindar fixes Naagu’s marriage with her. But Rajeswari vetoes the alliance and suggests to perform her marriage with Raghu. After marriage, Padma learns that Raghu became a retard due to the opium-fed during his childhood to put him to sleep by the maid, Ayamma (Vijayalakshmi).
Munna
On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.
Laila Majnu
A timeless romance of two souls intertwined, Laila (Nutan) and Qais (Shammi Kapoor), whose bond transcends all societal barriers. Though fate drives them apart, their love endures, resisting separation and sacrifice in this classic 1953 Hindi drama based on the legendary tale of Layla and Majnun.
Ratrir Tapasya
Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.
Sagai
Chandni and her dad belong to a well-off family. Iftekhar feels that Chandni has come of age and must get married, and he selects a groom for her and asks her to marry him. She refuses and runs away from home. She meets up with Fooman and Dhaboo and gets into a series of adventures with them, including eluding the police. One of their adventures lands them aboard a ship captained by Prem, who is transporting Princess Shehzadi to her native land. The princess likes Prem and would like him to marry her, but Prem refuses, and as soon as they land, Prem is arrested by the King, imprisoned, and tortured. Fooman, Dhaboo, and Chandni plan to help Prem to escape, which jeopardizes their own lives.
Chandni
Two identical women, city-bred Chandni and village teacher Devi, swap clothes on a train, leading to their husbands mistakenly taking home the wrong wife. As chaotic domestic lives unfold, their interwoven fates unravel through illness, mistaken affections, and a final public revelation of their switched identities.
Durga
Rural melodrama about Durga, an adolescent child of nature, living with her aged mother Heera. Unable to get the medicine required to prevent her mother's death, one misfortune after another befalls the heroine in spite of the sympathies of the newly arrived village doctor, Jawahar.
Devdas
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.