Drama Movies on Netflix (1631 results)
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Sailaab
Gautam, a rich young man, goes to Assam to visit his father's tea plantation. The plane in which he's travelling is forced to make an emergency landing due to bad weather. Gautam gets hurt and suffers from amnesia. He falls in love with a young woman Kanchan, who responds to him even though she is part of a religious community that doesn't allow its members to marry.
Anjaan
Manohar Das is an only son who frequents nautch girls with his friend Badri. Manohar's father wants his son to mend his ways before it is too late. But Manohar is incorrigible. Finally, his father sends him to Ramgarh with his Guruji so that he is totally cut off from city life and where he can be reformed.
Jhanak Jhanak Payal Baaje
Dancer maestro Mangal Maharaj wants his son, Girdhar, who is a dancer par excellence, to enter the once-in-ten-years Nateshwar Utsav dance competition, win it, and be crowned the Bharat Natraj. While Girdhar can do a solo dance number, he is also required to dance the Shiv-Parvati Tandav dance with a female partner. Mangal Maharaj would like Roopkala to be his partner, but ends up being disappointed with her. Now with only a year left for the Utsav, he chances upon talented dancer and singer, Neeladevi, and recruits her. He subjects her to strenuous training and he is pleased with her performance. Then he finds out that Girdhar and Neela have fallen in love with each other, and their involvement is interfering with their performance. Unhappy with Neeladevi, he dismisses her, and sets forth to look for another dancer. The question remains: Will he be able to find another one, train her, and make her compete just in time for the Utsav, or will he lose this opportunity altogether and ...
Raikamal
Raikamal narrates the story of Rai Kamal, a devotee of Lord Krishna. Rai Kamal and Ranjan are childhood sweethearts. When Ranjan grows up he wishes his desire to marry Rai but his parents are against this match as they are Brahmins and Rai Kamal was a low caste Vaishnav.
Pamposh
Pamposh is India's first film in Gevacolor and tells the story of a deaf orphan Mogli who is adopted by the impoverished owner of a dilapidated houseboat Kassim. Though Kassim and his teenaged daughter Naseem take the orphan to their bosom his wife ill-treats the unfortunate child who is soon made into a household drudge. The little girl's only escape is into the lap of Mother Nature where she meets butterflies, frogs and fish who become her friends and playmates. Her favourite story is that of the Frog King in whose palace there are no tears and everyone is happy all day long. In the lotus fields of Kashmir which is her playground she meets the Old Man of the Lake who befriends the lonely child. Then, one day, when her foster mother's injustices cross all limits Mogli steals a canoe and goes into the lake in search of the Frog King's palace, never to be seen ever again. It is a bitter-sweet tale relieved only by the romantic interludes between Naseem and her love Aziz.
Waris
An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.
Rail Ka Dibba
A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too. The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.
Kapalkundala
Nabakumar, a young gentleman from Saptagram, got lost in a forest while returning from pilgrimage in Gangasagar. He met a Tantric sage who trapped him, intending to make him a sacrifice to goddess Kali; but was later freed secretly by Kapalkundala. The priest urged Nabakumar to take Kapalkundala away from her wicked foster-father and also showed Nabakumar his way to Saptagram. Now re-christened as Mrinmoyee. The sage, on the other hand, got annoyed at Kapalkundala’s betrayal and began to plot his revenge. In the meantime, Nabakumar met Padmabati, his first wife, who was converted to Islam by his father, making Nabakumar to desert her. Padmabati, now renamed as Motibibi, expressed her love for Nabakumar, but he refused her. Later the sage came to Saptagram and met Motibibi. The sage wanted to kill Kapalkundala, but Motibibi wanted to separate her from Nabkumar only.
Our Struggle
A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)
Jeevitha Nouka
Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.